The Perfect Weapon (1991)

Tagline:

No Gun. No Knife. No Equal.

Movie Review:

Until recently, The Perfect Weapon was only available on VHS or a bootleg Australian DVD (mastered from VHS) that had made it's way worldwide due to the demand for this film. Finally in February, Olive Films in the US gave this one it's first DVD and Blu-ray release. It's always been renowned as one of, if not the, best film that Jeff Speakman was involved in so it's about time it got some loving, digital attention.

Jeff Sanders (Jeff Speakman) receives a distressed phone call from his long time friend and Korean shop owner, Kim (Mako). During his long drive back home to rescue Kim, Jeff reminisces about his past, which gives us the opportunity to see how he learned the martial art-form Kenpo at age 10, and how at age 17 is disowned by his father for being a bad influence on his younger brother. When he arrives at Kim's shop he sees Kim being threatened by local Korean mafia, whom he dispatches with a blinding array of punches, kicks and stick smashing.

Of course, the Korean mafia won't take this kind of insult calmly, and by the next day Kim has been killed by an unknown assailant (though we as the audience know who it is). When Jeff finds out what has happened, via his younger brother Adam (John Dye, Best of the Best) who is now a cop, he plans to take the law into his own hands, and after a routine 'weapons at the ready' montage, take down the heads of the Korean mafia.

"The Tiger is strong and fearless. The Dragon is full of wisdom."

This was absolutely amazing. Talk about a hidden treasure! Jeff Speakman's The Perfect Weapon is right up there with early Steven Seagal films. If you enjoy Marked for Death or Out for Justice, there's simply no question at all that you will like this one. The 80's period set-pieces (even though this came out in 1991, I'm calling it an 80's film) are fantastic. We get beat up brown undercover cop cars, flashing neon sign nightclubs, underground Asian mafia, a multitude of mullets and training montages. The movie starts AND finishes to the tune of Snap's "I've Got the Power". If that doesn't convince you then this is the wrong blog for you.

Speakman brings the Kenpo action fluently, which is no surprise as its the part of the film he doesn't have to act - Jeff is a 8th degree rank in American Kenpo Karate. His arts film very similar to early Seagal (who holds a 7th degree rank in Aikido) with a lot of hand-to-hand fighting. Seagal had his slap-fu, Speakman has this trick where he hits you around the face so fast you don't know what's going on. He only breaks it out once or twice in a movie (we saw it in Deadly Outbreak) but it's fantastic. He is also skilful with Kenpo Sticks, unleashing rabid wooden fury on a few occasions throughout the film, including a great one-against-three fight at a dojo and an even better one-against-four back alley fight. He's really at the top of his game here, and his prowess isn't watered-down by any romantic sub-plot either.

This film has the best secondary Asian character actors from the vintage 80's action period. First of is Mako from Crying Freeman, Sworn to Justice, Midnight Man and Fatal Mission with Peter Fonda. We also get James Hong (Missing in Action, Ninja III: Domination, Big Trouble in Little China) as the red herring bad Mafia boss, playing a suitably evil role as Yung. Cary-Hiroyuki Tagawa (Mortal Kombat) who we recently saw in Tekken is Yung's Lieutenant, Kai, and while he doesn't get much to do, he has a pretty great fight with Speakman at the end.

There's a supremely awesome and recurring appearance of Professor Toru Tanaka (The Running Man, Martial Law, Hard Justice) - as Tanaka - playing Yung's hitman who sparked Speakman's initial revenge. This is probably the most I've seen of the Professor in a film and he's just amazing. He doesn't say anything except mumbling to himself manically in Korean. He takes two successive taser shots to the chest, after lifting car off his head. Totally awesome stuff. Tanaka can also take claim in this film to being the highlight of one of the best finale wharf explosions in cinema.

The prize appearance for me was the uncredited, blink-and-you'll-miss it scene in the nightlcub fight. Amongst all the bodies throwing themselves at Speakman was Al Leong! The same Al Leong from Die Hard, Bill and Ted's Excellent Adventure, Action Jackson, Big Trouble in Little China, Cage, Dark Angel, Steele Justice.. everything amazing from the 80's. He says nothing, hell he doesn't really do anything, but I still teared up when I saw him. I had to rewind to double check that it was him, but it's him. Fantastic.

There's a little bit of comedy in the film. I especially enjoyed a little throwaway scene showing Jeff's brother Adam trying to get information out of a restaurant chef, asking about Kim, receiving a "Yes!" and a box of Kim Gee. Adam tries again and receives another "Yes!" and another box of food. Giving up he says goodbye, to which the the chef replies in fluent English "Have a nice day." Champagne comedy!

I loved Speakman's Deadly Outbreak but this is the kind of action film I really get down with. I like to call them "catalyst revenge" films. All it takes is the death of your respective martial arts Master and it's on like Donkey Kong. It's completely obvious how it will all play out and that allows you to sit back and enjoy the martial arts and haircuts. We aren't very far into Speakman's career here at Explosive Action but I hope that some of his other films (off the top of my head with have The Expert and Street Knight to look forward to) have similar urban settings with gritty street-fights.

Mark DiSalle directed this. He was responsible for directing JCVD's Kickboxer, and was the producer on Death Warrant, Street Knight and Bloodsport. That's a pretty solid heritage to ensure you are getting a quality American martial arts film. He also played the football coach that tends to the oaf that young-Speakman knocks out cold with his kicks. Props must go to DiSalle for getting a live crocodile to appear in a tank at the movies' nightclub, The Croc Bar.

The Perfect Weapon is essential viewing for 80's and early 90's action fans. The DVD and Blu-ray put out by Paramount and Olive Films is the first time the film has been released legitimately since the days of VHS. Olive should be applauded for delving into Paramount's back catalogue and bringing this one to a new audience. If you read my old About page you'll see I harp on about how I missed out on obvious action films when I was growing up. Perfect Weapon is definitely one of those films. Buy it now!

The Video:

As mentioned above, we finally have a DVD and Blu-ray release courtesy of Paramount and Olive Films in the US. I can't speak for the DVD but the Blu-ray is All Region ABC and played perfectly on my Region B locked player. The film is presented in 1.78:1 widescreen and sports a healthy, natural grain that places the picture as vintage 80's action. Sound is a solid if unremarkable DTS Master stereo track. No extras, just a menu and chapter points, but who cares - this is Perfect Weapon on disc for the first time! Runtime 85 minutes.

Sourced From:

Amazon.com: Buy the DVD or Blu-ray.

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Hard Justice (1995)

Tagline:

Go in undercover. Come out underground.

Back of DVD:

When hard-boiled agent Nick Adams (David Bradley Cyborg Cop, American Ninja V) loses his partner in an undercover prison operation gone bad, he swears to infiltrate the prison and find the killer. With only his martial arts skills to protect him against Warden Pike (Charles Napier - The Manchurian Candidate, Extreme Honor) and his brutal goons, Nick must fight to stay alive and find justice for his friend. As he gets closer and closer to revealing the truth, he is thwarted at every turn and soon he finds himself held prisoner, stripped of his authority and freedom. Now there is only one way out -escape.

Movie Review:

Hard Justice is a pretty damn fine take on the prison action movie, along the same lines as Jean-Claude Van Damme's Death Warrant, though like all good 80's action movies (or 90's action movies trying to be an 80's action movie), we start with a shootout at an illegal weapons bust. A helicopter flies over the cityscape as the movie's logo HARD JUSTICE clangs into place, almost identical to the opening of Die Hard with a Vengeance. Outside a warehouse a black car pulls up and the occupants get out, carrying a suitcase.

Inside the warehouse a Japanese guy with slicked back hair wearing a suit (Yuji Okumoto as Jimmy Wong in an obvious gangster getup) waits to complete a weapons trade. Suddenly, David Bradley bursts through the roof dangling from a rope from the helicopter and demands answers from Wong along the lines of who his supplier is etc. Not one to give in easy, Wong and his associates fire their illegally acquired machine guns at Bradley. There is some awesome slow motion jumps through the air to avoid exploding grenades and some guns akimbo with pistols, but the highlight is Bradley laying sideways on a moving conveyer belt taking out fools with a shotgun as he glides along!

Having taken out everyone in the room (he thinks), Bradley takes the time to survey the damage atop the roof of a car. Jimmy not dead yet hurls a grenade at the car. Bradley in an "oh shit" moment runs (again in slow motion) along a line of carefully arranged car tops as the cars explode in sequence behind him! Wong then tips a fuel barrel over, lights it and runs. Bradley notices, has another "oh shit" moment and (yet again) slow motion jumps from a window as the building explodes. Pure gold. Wong manages to get a female hostage and taunts Bradley at gunpoint. Wong orders Bradley to drop his weapon, which he does, but turns around first and balances it on his foot. At the right moment he flicks around, kicking the pistol back into his hands and fires hitting Wong - but Wong had already dropped a grenade and the hostage is killed. This becomes relevant at the films climax.

That was one sweet opening. So much action it was almost exhausting, but that would be lame so I'll just say it was awesome. Bradley goes home on his motorbike to his wife who says that his best friend and colleague on the force Mani was killed in prison whilst undercover. When he goes see the body Bradley gets all emotional and demands an autopsy, even though the guy was killed by 37 stab wounds. He also wants on the case, but he wants to also go undercover to the prison and completely off the radar.

It's all pretty standard prison fare from here. Bradley is lined up with the other new convicts and is introduced to the warden (Charles Napier) and his second in charge, Mr. Riggs, with his nightstick "The ugly stick". As soon as he enters his cell, Bradley has a fight with his room mate Mr. Clean (ironic because, like, he's really messy) over the bunk. He pulls out his American Ninja and American Samurai skills and kick-boxes the bald behemoth to the head asserting himself as the alpha male (grunt) but not after taking a smack into the steel bed frame (ouch). The two decide they are mutually awesome and become friends. Bradley saves Mr. Clean from being shivved on the way to breakfast, but he still gets picked on by the regular Asian duo of thugs, Lee and Chow. Bradley has a bit of a smack-down with them but Mr. Riggs intervenes with his Ugly Stick.

I've actually not seen JCVD's Death Warrant yet, it's been on my 'to watch' list for ages, but I've read that Hard Justice is quite similar to it - JCVD being an undercover cop trying to solve a mystery inside the prison - to the point of being a remake. There are also parallels to Sylvester Stallone's Lock Up, a movie I have seen; a corrupt warden, the alternating friendly inmates and thug inmates, lunchroom beatings, the prison snitch getting killed etc. There is a hilarious fight scene between Bradley and the brothers Lee and Chow. Bradley is trying to get on with his laundry room duties when the two start picking a fight. After a few rounds of fisticuffs Bradley throws the two into the washer and turns it on with the line - wait for it - "Clean up your act." Brilliant!

With the help of Mr. Clean, Bradley tries to get information on the murder of his colleague and goes to see the resident knowledge-base, Galaxy 500. It's never explained how he got such a ridiculous name but he does have a ridiculous attitude, probably due to his ridiculous name. He reveals that Mani wasn't killed by another inmate, but he was killed for knowing too much about a weapons deal happening within the prison walls. Mr. Riggs pays off some inmates to mess up Bradley and Mr. Clean's room which leads to some babbly emotional conversation between the two, but before they can get the tissues out a new arrival is admitted to the prison - Jimmy Wong. Knowing he is in too deep and his cover will be blown, Bradley pleads with the warden that he is actually an undercover cop but it falls on deaf ears. Well, not deaf ears really, corrupt ears. The warden sends in Wong and his mates to thrash Bradley in the shower in an honestly unfair towel vs. chain fight.

The quality of the acting is pretty good all around with David Bradley being the only minor let down, but he makes up for it with his fighting skills. I've seen him described as the poor mans Steven Seagal but he really is more of a JCVD to my eyes. It all culminates with a prison riot and escape as you would expect, with even the warden getting in on the guns akimbo: "I WILL HAVE ORDER!". Plenty of explosions and Bradley gets another shot at Jimmy Wong in a hostage scenario.

Special mention has to be given to Professor Toru Tanaka - you will recognise him as 'that guy' from a many 80's action movie, especially Subzero from The Running Man - who briefly makes an appearance as "Cookie", another thug of Lee and Chow's. The guy stands there in the lunch hall looking ominous and Bradley gives him a single punch to the chest. With a creaking sound of a tree falling, Cookie hits the deck to thunderous applause from the other inmates. Champagne comedy!

The Video:

The video for this is pretty average at best and really shouldn't be. I have seen other reviews with better screenshots than mine. The Reel/Ninth Dimension R4 release looks polished from the cover presentation but the movie itself is washed out and abundant in greys instead of blacks. There is even some macro-blocking in fast scenes. Worse still is I find out afterwards that the movie was shot in widescreen and the R1 DVD put out by Image Entertainment is 16:9 enhanced. I still enjoyed the movie but the presentation left a lot to be desired.

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